The actress slams rumours of her doing an item number in a Tamil film.
'Good luck, Chaitanya Tamhane. May the jury system prove better for you than the bench trial did for your protagonist.'
National award winner Chaitanya Tamhane tells us the story behind his film, Court.
Disney's The Jungle Book has taken the box office by storm.
'When we make such stories, that's when we see how tough it is.' 'Our grandmother may narrate a story of a rakshas, but to create that is like chewing peanuts made up of iron!'
'Imagine Hindi cinema without Lata Mangeshkar? Actually, you can't. And thank heavens for that.' As Lata Mangeshkar turns 85, Raja Sen pays a rich tribute to doyenne of the film industry.
'Panipat has all the meat for a political drama meets war movie. But in Ashutosh Gowariker's failure to process its complexity, the material never rises beyond a mediocre hurray to the Maratha manoos,' says Sukanya Verma.
'What seemed missing in Tumbbad was that screwiness, that kinkiness, which shades so many of our best parables,' observes Sreehari Nair.
Bollywood takes the glamorous route to MAMI!
On the 20th anniversary of her tragic death, the actress remains strikingly relevant.
The latest updates from the Malayalam film industry.
Superstar Aamir Khan turned up at a private award function after 16 years!
A look at the star arrivals.
The top posts on social media from your favourite Bollywood celebrities.
Marathi film Sairat will stay with you for a really long time, raves Divya Nair.
Take a look at the list.
It was legendary producer-director V Shantaram, who conceived the plot, based on a short story The Police Constable, which revolved around the theme of a good-hearted uniformed man attempting to free a prostitute from a life of indignity.
'I personally consider Indian cinema as one of the most creative and powerful forms of cinematic expression in the world.' 'An average Indian film is 10 times better than a costly American production because of the creativity involved.'
Aseem Chhabra introduces us to the best of Berlinale.
'I do films because I want to feel proud of myself as an actor. Why should I sign nonsense? The right roles aren't coming. The only cameo I have done in Hindi is Zoya's Dil Dhadakne Do. She is a friend and I desperately wanted to work with her. She casts big stars, so obviously, I couldn't be the lead.' Rahul Bose on his films, and Poorna.
A fun excerpt from Diptakirti Chaudhuri's Bollygeek: The Crazy Trivia Guide to Bollywood.
'Success is not easily gained. Even if it is, it's very hard to sustain it.'
Looking back at Rajinikanth's film journey.
'He had a continuing interest in life, people, and the society in which he lived,' remembers Shyam Benegal, who collaborated with the polyglot playwright and actor through the 1970s and remained his friend for more than five decades.
Young Telugu actress Ulka Gupta makes her debut in Andhra Pori a remake of hit Marathi film Timepass.
Two movies, Ingale Marga (Road to Ingale) and Tirupati Express releases today,September 5.
'It is widely believed that such posts require lobbying. Maybe they do, but I can say this straight up, I did not lobby. This appointment has been on pure merit. My lobby is myself and I don't need to lobby,' Waman Kendre, newly-appointed director of NSD, tells Neeta Kolhatkar
Sreehari Nair presents his Top 20 movies of the decade.
A look at the top 10 tweets from your favourite Bollywood celebrities.
'If there's a Fan sequel, I want a song and dance with Shah Rukh Khan.' Here's introducing Fan girl Shriya Pilgaonkar, who celebrates her birthday today, April 25.
'A lot of fraud films are being made in the name of realistic cinema.'
A look at the top tweets from your favourite Bollywood celebrities.
Both Raazi and Veere Di Wedding are interesting films that worked. There is no point reading a trend in them, says Vanita Kohli-Khandekar.
The campaign's main theme song 'Main hi toh Hindustan hoon' has been penned by Javed Akhtar.
'I always work in films with an open heart.' 'I believe working with trust.' 'Unfortunately, we have many actors and stars who don't function in this manner.' 'Maybe that's the way they want to get their stardom.'
Filmmaker Muzaffar Ali looks back at his movies.
How a bus conductor named Shivaji Gaekwad became the mega-phenomenon called Rajinikanth.
If Indian storytelling can deliver, it can make the entertainment industry an engine of economic growth and a substantial contributor to GDP, says Vanita Kohli-Khandekar.
Jyoti Punwani examines the relevance of the Sairat, the hit Marathi film everyone is talking about, in today's times.
Aseem Chhabra tell us how he watched 302 films in 365 days on airplanes, on Netflix, Amazon, iTunes, Google, Hulu, DVDs and even on YouTube.
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